3/17/2023 0 Comments Blue monochrome19).Īrriving in Paris in 1955, Klein began to refer to himself as 'Messenger of the Blue Void'. cat., Hirshhorn Museum and Sculpture Garden, Washington D.C., 2010, p. Brougher, 'Involuntary Painting', Yves Klein: With the Void, Full Powers, exh. In doing so, he rejected the figurative line, the practice of representation and the paint as material, privileging instead a transcendental colour with the power to release the 'total freedom of mind and body' (Y. At the age of just twenty, the young artist had embarked upon a 'Monochrome Adventure', a new and radical 'Blue Revolution'. Certainly the scorching heat and brilliant Mediterranean light radiating from a piercing blue sky is evoked in Klein's Untitled Blue Monochrome (IKB 176). ![]() Klein's quest for this radical and transcendental mode of painting began in 1947 when, sitting on a rocky beach in Nice beside his friends Arman (Armand Pierre Fernandez) and Claude Pascal, he suddenly declared: 'the blue sky is my first artwork' (Y. Situated in front of the work, the viewer becomes engrossed in its saturated colour field, the eye tracking the work's majestic surface from top to bottom. In Untitled Blue Monochrome (IKB 176) this effect is compounded by the elegant proportions of the work, which reflect the upright, standing posture of a human figure. Klein believed that colour was a living presence and that the more pure the colour, the more it might overcome its own material boundaries and disperse into space. 'Man' he prophesised, 'will be able to conquer space only after having realised the impregnation of space by his own sensibility' (Y. He described this state as one of complete self-awareness, where the viewer might begin to feel the limits of his or her own body, entering a new spatial and spiritual experience. Through an exquisite concentration of blue pigment on canvas, Klein believed the viewer would undergo an extrasensory experience, ultimately reaching a 'zone of immateriality'. ![]() As he explained, ' can no longer approve of a 'readable' painting made not to read a painting, but, rather, to see it. Unlike his forebears Kazemir Malevich and Ad Reinhardt who considered the monochrome the logical conclusion of painting, Klein saw pure colour as radically extending the promise of the medium. For Klein, this unique azure colour came to epitomise his oeuvre, dramatically reinvigorating the tradition of the monochrome and establishing the influential pathway towards Minimalism, Conceptualism and the contemporary practice of the present day. Forming part of the same collection for more than forty years, it represents one of the purest expressions of Klein's signature IKB or 'International Klein Blue'. Created in 1960, Untitled Blue Monochrome (IKB 176) is a radiant and intense ultramarine work by pioneering post-War artist, Yves Klein.
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